Examples of Recent Catalogs at Watzek
The Space Between: the Modern in Korean Art by
Featuring over 130 artworks--some previously unpublished--this richly illustrated volume is essential for understanding modern art in Korea and how it evolved to meet the contemporary global context In The Space Between, a generative period in Korean art between the traditional and the contemporary is illuminated comprehensively for the first time. After the centuries-long Joseon dynasty came 35 uninterrupted years of the Japanese colonial period (1910-45) followed by the Korean War (1950-53). During this tumultuous time, Korean artists grappled with issues such as identity and nationalism and experimented with a broad range of media. The book is organized into five categories: "The Modern Encounter"-- foreign influences enter the country in a significant way in the late 19th and early 20th centuries; "The Modern Response"--how foreign methods are accepted or rejected; "The Pageantry of the New Woman (Sinyeoseong) Movement"--modern women's attitudes; "The Modern Momentum"--advances in using foreign styles; and "Evolving into the Contemporary"--a glimpse into the contemporary. Most notable during this period are the introductions of photography, sculpture and oils, which arrived via Japan and came to define modern art in Korea. At the same time, traditional ink painting reinvented itself: works grew larger in scale while keeping traditional landscape motifs with alterations in the use of color and composition. Artists of modern ink believed that theirs was the true future of modern art, unsullied by elements found in the West. By the end of the Korean War, the magnified status of the US made way for access to American abstract art and, indirectly, European informel. For nearly a decade, abstract expressionist and informel styles dominated Korean art. The volume concludes in the 1960s, setting the stage for contemporary art in Korea.
Call Number: N582.L7 A8 2022Publication Date: 2022
Here, Now by
Two hundred masterpieces of Indigenous art from North America, accompanied by essays on the collection and the current issues affecting Indigenous communities. Here, Now: Indigenous Arts of North America at the Denver Art Museum features two hundred of the Denver Art Museum's most notable Indigenous artworks. Aimed at both longtime fans of Indigenous arts and those coming to them for the first time, this expansive book reinterprets the collection and offers new insights into the historic and contemporary work of Indigenous artists. The artworks--covering a range of media, artistic traditions, and time periods--are organized geographically and invite readers to make connections between the artworks and the places they were produced. The book also includes contributions by Indigenous authors reflecting on the collection and the current issues that affect contemporary Indigenous communities. Contributors include John P. Lukavic, Dakota Hoska (Oglála Lakȟóta), and Christopher Patrello; with Kathleen Ash-Milby (Navajo), Susan Billy (Hopland Band of Pomo Indians), Jeffrey Chapman (White Earth Ojibwe), Jordan Poorman Cocker (Kiowa/Tongan), Jasha Lyons Echo-Hawk (Seminole/Pawnee), Nicholas Galanin (Tlingit/ Unangax̂), Joe Horse Capture (A'aniiih), Terrance Jade (Oglála Lakȟóta), Zachary R. Jones, Sascha Scott, Rose Simpson (Santa Clara), Daniel C. Swan, and Norman Vorano. The book opens with a contribution from United States Poet Laureate Joy Harjo.
Call Number: N6538.A4 D46 2022Publication Date: 2022
Fictions of Emancipation by
A critical reexamination of Carpeaux's bust Why Born Enslaved! and other nineteenth-century antislavery images--this book interrogates the treatment of the Black figure as a malleable political symbol and locus of exoticized beauty This critical reexamination of Jean-Baptiste Carpeaux's iconic bust Why Born Enslaved! unpacks the sculpture's complex and sometimes contradictory engagement with an antislavery discourse. Noted art historians and writers discuss how categories of racial difference grew in popularity in the nineteenth century alongside a crescendo in cultural production in France during the Second Empire. By focusing on Why Born Enslaved! and comparing it to works by Carpeaux's contemporaries on both sides of the Atlantic, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley, this volume explores such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (March 10, 2022-March 5, 2023)
Call Number: NB553.C3 A78 2022Publication Date: 2022
Raphael by
A definitive overview of one of the most celebrated figures of the Italian Renaissance Among the great figures of the Italian Renaissance, Raphael (1483-1520) is unarguably the artist who has been most widely and consistently admired across the centuries. He had an extraordinary and perhaps unrivaled capacity for self-reinvention--as he progressed from Umbria to Florence and Rome--and an ability to draw strength from the other great artists around him, seemingly growing in stature the more daunting the competition became. This insightful, impeccably researched, and comprehensive volume chronicles the progress of his career in all its richness and complexity. Sumptuous production values and generous illustrations go hand in hand with its rigorous and wide-ranging scholarship. The essays explore Raphael's paintings and drawings, his frescoes in the Vatican Stanze, his designs for tapestries, sculptures and prints, and his engagement with architecture. Detailed and authoritative catalogue entries examine many of Raphael's finest works. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London April 9-July 31, 2022
Call Number: ND623.R2 A4 2022Publication Date: 2022
Types of Catalogs
At first glance, catalogs may look like just "coffee table books." However, they are key sources for art historical research. Here are several kinds of catalogs you may encounter.
Exhibition catalogs document time-limited exhibitions of material, which you might think of as public acts of scholarship. In addition to reproductions of items on display (and related reference images), these catalogs usually contain information-rich entries about those items, and longer, scholarly essays that explore themes brought out by the exhibition.
Catalogues raisonnés attempt to provide comprehensive documentation of an artist's work, or sometimes of an artist's work in a particular medium. Technical information and provenance history of individual items are usually covered, and disputed attributions and lost works frequently have their own section.
Museum catalogs cover the holdings of a particular institution.
You can find catalogs in Primo by adding the word "catalogs" to a search on an individual artist, movement, period, subject, etc.
Online Catalogues and other Museum Publications
- MetPublicationsA portal of hundreds of titles, covering nearly all of the Met's publications since 1870. Out-of-print titles are linked to Google Books editions; in some cases, you may download a free PDF.
- Getty Publications Virtual Library"Free digital backlist titles from the Getty Publications Archives," covering the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute. Currently more than 200 titles are available to read online or download as PDFs.
- Catalogues Raisonnés - International Foundation for Art ResearchSearch by artist name to find bibliographic information about catalogues raisonnés that have been published or that are currently in preparation. Use Primo to see if published catalogues are available through Watzek or Summit.
- Online Scholarly Catalogue InitiativeA Getty Institute-led collaboration between nine institutions to make high-quality versions of scholarly catalogues freely available online.
