A style guide for American English published by the University of Chicago Press. Includes access to a much simpler Quick Guide. Also available in print. Note that musicology tends to follow Notes and Bibliography style, while ethnomusicology tends to follow Author-Date style.
Provides a sample bibliography page, as well as examples of in-text citations, and diagrams of how to cite both print and online sources. Navigate between pages using the menu on the left side of the page.
Provides a sample works cited page, as well as examples of in-text citations, and diagrams of how to cite both print and online sources. Navigate between pages using the menu on the left side of the page.
Sections of Chicago Manual of Style Especially Relevant for Music
Guidelines for citing audiovisual recordings, with examples.
Researching and Writing About Music
A Guide to Library Research in Music by Pauline Shaw Bayne"A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides examples of different types of writing, offers a thorough introduction to music literature, describes various information-searching methods and library-based organizational systems, and explores the wide array of music resources."--BOOK JACKET.
Call Number: Reference ML3797 .B29 2008 (library use only)
Publication Date: 2008
Writing about Music by D. Kern HolomanWhere do you place the hyphen in "Beethoven" if it breaks between two lines? How do you cite John Coltrane's album A Love Supreme? Is it "premiere" or "première"? The answers and much more can be found in this definitive resource for authors, students, editors, concert producers--anyone who deals with music in print. Extending the principles devised for the classical repertoires, this revised and expanded edition now includes examples from world music, rock, jazz, popular music, and cinema. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, while others explain the requirements for submitting manuscripts and electronic files, and outline best practices for student writers. An appendix lists common problem words. Updates include greatly simplified citations of Internet locators, the recognition of multiple platforms, and the expectation of paperless transmission and storage of work. Cited as the authority by The Chicago Manual of Style, this classic handbook is the go-to source for anyone writing about music.